[zswrm] Download Municipal Pool JNL fonts from Jeff Levine

Municipal Pool JNL
Municipal Pool JNL Municipal Pool JNLMunicipal Pool JNL



A photo of the now closed [circa-1953] Lowell Municipal Pool (at 1601 N. 28th St.) in Boise, Idaho shows the words “Municipal Pool” formed into the cement of the entrance to the above-ground swimming facility.


Both the lettering and building entrance designs harken back to the Art Deco era and the sign features stencil-like characters.


This inspired a typeface aptly named Municipal Pool JNL, and is available in both regular and oblique versions.



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[zvemy] Download On Your Mark JNL fonts from Jeff Levine

On Your Mark JNL
On Your Mark JNL On Your Mark JNLOn Your Mark JNL



Images of ‘lost’ or forgotten signs from the past are on a number of sites all over the web.


One in particular partially revealed a vintage sign for “J. Yormark Shoes" behind a barbershop sign at 15 – 8th Avenue in New York City. The sign remained until 2014.


The stencil effect made by the formation of the stained glass letters inspired On Your Mark JNL, which is available in both regular and oblique versions. The font’s name is a play on the shoe vendor’s name… “Yormark”.



On Your Mark JNLDownload NowView Gallery


[grqqy] Download Privilege Sign Two JNL fonts from Jeff Levine

Privilege Sign Two JNL
Privilege Sign Two JNL Privilege Sign Two JNLPrivilege Sign Two JNL



Unique and decorative signage for many drive-ins, motels, food stores and other businesses of the 1940s had what was referred to as “privilege signs” provided by one of the major cola brands.


Consisting of the brand’s emblem on a decorative panel, the remainder of the sign would carry the desired message of the storekeeper (such as “Drive-In”) in prismatic, embossed metal letters.


Inspired by the Art Deco sans serif style of those vintage signs, Privilege Sign Two JNL recreates the type design in both regular and oblique versions. The typefaces are solid black, but adding a selected color and a prismatic effect from your favorite graphics program can reproduce the look and feel of those old businesses.


This is a companion font to Privilege Sign JNL, which recreates the condensed sans serif lettering of other privilege signs from

the 1950s and early 1960s.



Privilege Sign Two JNLDownload NowView Gallery


[cmqjf] Download Electric Newspaper JNL fonts from Jeff Levine

Electric Newspaper JNL
Electric Newspaper JNL Electric Newspaper JNLElectric Newspaper JNL



Around 1931, the Los Angeles Times (in partnership with the Richfield Oil Company) installed on its building a moving message board similar to the one at the New York Times in New York City which they dubbed an “electric newspaper”.


The style of characters used on this electronic sign were the basis for the namesake font Electric Newspaper JNL, which is available in both regular and oblique versions.


A blank space to place between words is available on both the solid bar and broken bar keystrokes.



Electric Newspaper JNLDownload NowView Gallery


[hdrqr] Download Verathrine fonts from Nathatype

Verathrine
Verathrine VerathrineVerathrine



Ready to enchant your audience and enhance your branding? A beautiful and spirited design like this is a great way to grab everyone’s attention! Wait no more, this beautiful font can be yours right now!


Verathrine-A Handwritten Font


This font is all about elegance and style. The curvature of the Verathrine was fully thought out to easily meld inside your designs. These fonts make a good foundation of what you want it to be! Great to be used on headings, logos, business cards, printed quotes, cards, packaging, resumes, and even your website or social media branding.


Features:

  • Ligatures
  • Stylistic Sets
  • Swashes
  • PUA Encoded
  • Numerals and Punctuation


Thank you for downloading premium fonts from Nathatype






[tyvgn] Download Brazarri Pro AOE fonts from Astigmatic

Brazarri Pro AOE
Brazarri Pro AOE Brazarri Pro AOEBrazarri Pro AOE



The Brazzari Pro AOE is an unusual but fun geometric typestyle design. It is the historical revival and elaboration of the "Bizarre" typeface created by MacKellar, Smiths, & Jordan Co. in 1884. What began as a basic character set of Capitals, lowercase, numerals, and a small handful of punctuation characters has been expanded to a full character set including unlimited fractionals, superiors & inferiors, ordinals, tabular & proportional figures, and an expanded language glyph set, all with a smallcaps and Caps to Smallcap set to match. Definitely a niché use typeface, however, it has some great appeal.


The letterforms of Brazarri Pro AOE are easy to convert to paths and extend various stems, making this revival something you can really let your imagination run wild with for your designs.




WHAT'S INCLUDED:

Enable the Stylistic Alternates feature for standardized letterforms without the extensions.


Extensive language support. Invocation has accented and special characters that support the following languages: Afrikaans, Albanian, Basque, Bosnian, Breton, Catalan Cornish, Corsican, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Galician, German, Hungarian, Icelandic, Irish, Indonesian, Italian, Kurdish, Leonese, Luxenbourgish, Malay, Maltese, Manx, Maori, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Occitan, Oromo, Polish, Portuguese, Rhaeto-Romanic, Romanian, Scottish Gaelic, Scots, Serbian (Latin), Slovak, Slovenian, Spanish, Swahili, Swedish, Tagalog, Turkish, Walloon, & Welsh.




One of my guilty pleasures is in taking the time to recreate historical typefaces as digital fonts, and expand on their character sets to enable them to be used more widely than their limited originals. A lot of incredible historical typestyles created as wood or metal type with bare bones character sets have been lost or only exist as limited specimen proofs in old books. These typefaces may have more niché uses than modern typefaces, but I believe it is important nonetheless to preserve these typefaces for future generations. These typefaces, if nothing else, can often inspire new creations.



Brazarri Pro AOEDownload NowView Gallery


[dpygh] Download Roy Carkton fonts from Luhop Creative

Roy Carkton
Roy Carkton Roy CarktonRoy Carkton



Roy Carkton is a luxurious and thick lettered serif font. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Add it confidently to your favorite creations and let yourself be amazed by the outcome generated.


With its striking contrasts and ultra-fine details, along with bold strokes that look luxurious and voluptuous curves, it creates a beautiful and powerful statement for any typographic composition,


Features :


  • 2 weight style
  • uppercase & lowercase
  • numbers and punctuation
  • multilingual
  • PUA encoded
  • alternates & ligatures


Roy Carkton luxurious serif really helps you create unlimited variations for your creative needs in creating your project titles: such as fashion, magazines, logos, branding, photography, invitations, wedding invitations, quotes, blog headers, posters, advertisements, postcards, books, websites web, etc.





[vrudw] Download Data Error AOE Pro fonts from Astigmatic

Data Error AOE Pro
Data Error AOE Pro Data Error AOE ProData Error AOE Pro



The Data Error AOE Family was one of my earliest typefaces, at a time when I had become obsessed with all forms of "digital/techology" typestyles. It's been awhile since the early 2000's, but I've had a hankering for awhile now to revisit this typeface, giving it a more expansive language character set and fill it out with some Opentype features.


Inspired by some old printouts of BASIC programs and an Atari 1050 Disk Drive manual with pin printer examples, comes the familiar yet oddly restricted style with this Data Error family. This family comes complete with Regular and Bold versions with their respective Oblique versions. Odd pin printer restrictions inherent in this typeface are: no characters extend below baseline or above ascender line, (except international accents).

A nostalgic typeface for computer programmers everywhere, strong and legible at any size, Data Error is perfect for so many purposes, get it today!




Data Error AOE ProDownload NowView Gallery


[ysgqw] Download Klutz AOE Pro fonts from Astigmatic

Klutz AOE Pro
Klutz AOE Pro Klutz AOE ProKlutz AOE Pro



The Klutz AOE Pro Family was inspired by the plethora of naive hand drawn lettering becoming commonplace in modern advertising. What I hadn't seen was a family of hand drawn typefaces, in a range of widths and weights, with both alternate capitals as well as small caps character sets...and so Klutz Pro was born.


The letterforms started with a few letters my daughter had drawn which I expanded on from there. Pulling from inspirations in retro cartoon titling and modern hand lettering playfulness, the full font was born, with weights and width to follow.


Quirky, eclectic, and just a bit ridiculous, it lends itself to a range of design typesetting - although I must confess, even though it all began with the Regular width, the Extra Condensed styles are my personal favorites. What's your favorite?





[cxvmr] Download Bakemono fonts from Zetafonts

Bakemono
Bakemono BakemonoBakemono



Francesco Canovaro created Bakemono as a way to explore the design space around the duality of fixed/proportional width. He was also interested in the concept of monowidth design, inherent in monospaced typefaces, that can bring flexibility and ease of use also to proportional type - allowing you to change the weight of a word without losing the text alignment. In his research on fixed width type design he mixed the lessons of mechanical typewriter technology with the intuitions of eastern brush calligraphy, which has been dealing with for centuries with fixed space grids.

The name of the typeface comes from the Japanese shape-shifter yokais that could change their form freely between human and animal, and aptly describes the metamorphic nature of this wide superfamily coming in proportional, monospace and intermediate subfamilies. With a design mixing the expansion principles of the brush with the sharp technicality of typewriter and system fonts, Bakemono can both excel at text size in its regular widths optimized for legibility as well as owning the page at display size with its uncommon design details.

Bakemono reflects its multicultural nature with its extended latin + cyrillic charset, soon to be expanded with Bakemono Arabic (exploring the fascinating world of monospaced arabic script) and Bakemono Kana (our first experiment in cjk scripts).


• Suggested uses: born to allow you to change the weight of a word without losing the text alignment, Bakemono can both excel at text size in its regular widths optimised for legibility as well as owning the page at display size with its uncommon design details. Perfect for contemporary branding, web design, packaging and countless other projects;

• 21 styles: 7 weights x 3 different styles + 1 variable font;

• 839 glyphs in each weight;

• Useful OpenType features: Access All Alternates, Contextual Alternates, Case-Sensitive Forms, Glyph Composition / Decomposition, Denominators, Fractions, Localized Forms, Mark Positioning, Mark to Mark Positioning, Alternate Annotation Forms, Numerators, Ordinals, Scientific Inferiors, 7 Stylistic Sets, Subscript, Superscript, Slashed Zero

• 217 languages supported (extended Latin and Cyrillic alphabets): English, Spanish, Portuguese, French, Russian, German, Javanese (Latin), Vietnamese, Turkish, Italian, Polish, Afaan Oromo, Azeri, Tagalog, Sundanese (Latin), Filipino, Moldovan, Romanian, Indonesian, Dutch, Cebuano, Igbo, Malay, Uzbek (Latin), Kurdish (Latin), Swahili, Hungarian, Czech, Haitian Creole, Hiligaynon, Afrikaans, Somali, Zulu, Serbian, Swedish, Bulgarian, Shona, Quechua, Albanian, Catalan, Chichewa, Ilocano, Kikongo, Kinyarwanda, Neapolitan, Xhosa, Tshiluba, Slovak, Danish, Gikuyu, Finnish, Norwegian, Sicilian, Sotho (Southern), Kirundi, Tswana, Sotho (Northern), Belarusian (Latin), Turkmen (Latin), Bemba, Lombard, Lithuanian, Tsonga, Wolof, Jamaican, Dholuo, Galician, Ganda, Low Saxon, Waray-Waray, Makhuwa, Bikol, Kapampangan (Latin), Aymara, Ndebele, Slovenian, Tumbuka, Venetian, Genoese, Piedmontese, Swazi, Zazaki, Latvian, Nahuatl, Silesian, Bashkir (Latin), Sardinian, Estonian, Afar, Cape Verdean Creole, Maasai, Occitan, Tetum, Oshiwambo, Basque, Welsh, Chavacano, Dawan, Montenegrin, Walloon, Asturian, Kaqchikel, Ossetian (Latin), Zapotec, Frisian, Guadeloupean Creole, Q’eqchi’, Karakalpak (Latin), Crimean Tatar (Latin), Sango, Luxembourgish, Samoan, Maltese, Tzotzil, Fijian, Friulian, Icelandic, Sranan, Wayuu, Papiamento, Aromanian, Corsican, Breton, Amis, Gagauz (Latin), Māori, Tok Pisin, Tongan, Alsatian, Atayal, Kiribati, Seychellois Creole, Võro, Tahitian, Scottish Gaelic, Chamorro, Greenlandic (Kalaallisut), Kashubian, Faroese, Rarotongan, Sorbian (Upper Sorbian), Karelian (Latin), Romansh, Chickasaw, Arvanitic (Latin), Nagamese Creole, Saramaccan, Ladin, Kaingang, Palauan, Sami (Northern Sami), Sorbian (Lower Sorbian), Drehu, Wallisian, Aragonese, Mirandese, Tuvaluan, Xavante, Zuni, Montagnais, Hawaiian, Marquesan, Niuean, Yapese, Vepsian, Bislama, Hopi, Megleno-Romanian, Creek, Aranese, Rotokas, Tokelauan, Mohawk, Onĕipŏt, Warlpiri, Cimbrian, Sami (Lule Sami), Jèrriais, Arrernte, Murrinh-Patha, Kala Lagaw Ya, Cofán, Gwich’in, Seri, Sami (Southern Sami), Istro-Romanian, Wik-Mungkan, Anuta, Cornish, Sami (Inari Sami), Yindjibarndi, Noongar, Hotcąk (Latin), Meriam Mir, Manx, Shawnee, Gooniyandi, Ido, Wiradjuri, Hän, Ngiyambaa, Delaware, Potawatomi, Abenaki, Esperanto, Folkspraak, Interglossa, Interlingua, Latin, Latino sine Flexione, Lojban, Novial, Occidental, Old Icelandic, Old Norse, Slovio (Latin), Volapük





[lwuli] Download Krafika fonts from Sarid Ezra

Krafika
Krafika KrafikaKrafika



Introducing, Krafika - a modern sans with ligatures and alternates!


Krafika is a modern sans with a bunch of ligatures and alternates that will make your poster, cover or logo even more stunning and stand out! You can use this font as a stand alone font for any project such as logo, headline or branding. Also comes with the right arrow and star! This fonts support Multi Language.