A font design of Paul Zimmermann, first released by Ludwig Wagner, Leipzig, in 1960, now revived and extended by Central European, Baltic, and Turkish character sets and their small caps. This font contains both lining and oldstyle numbers. To get access to all ligatures, it is recommended to activate both standard and discretionary ligatures.
Showing posts with label long s. Show all posts
Showing posts with label long s. Show all posts
Antiqua Florenz fonts from RMU - (jaozr)
May 03, 2021
Baltic Characters
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central european
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German
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long s
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multilingual
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oldstyle numerals
[bvjalyxypg] Download Neue Schwabacher Fonts Family From RMU
Neue Schwabacher is a revival of a revival. Albert Anklam modified the medieval letter forms of Schwabacher according to the fashion of the fin-de-siècle era, and his font was first released by Genzsch & Heyse in 1876.
This most widespread font face of the 19th century was fresh redrawn and made fit for nowadays’ usage.
To get access to all ligatures, it is recommended to activate both Standard and Discretionary ligatures.
Download RMU Trianon Fonts Family From RMU
Download RMU Belvedere Fonts Family From RMU
RMU Belvedere is a revival of Heinrich Wieyncks design, which was released by Bauer in 1906. The font was completely redrawn and redesigned, and comes with a long s, two framing elements and two tailpieces.
Get the long s by typing [alt] + b or turn the round s into a long s by using the OT feature Historical Alternative. Start making the frame by typing [alt] + >, and continue with [alt] + <. The tailpieces can be reached by typing [alt] + [shift] + p or [alt] + p respectively.
Download Wieynck Fraktur Fonts Family From RMU
Heinrich Wieynck’s blackletter font, carefully redrawn and redesigned for modern use. Due to its proportions, this blackletter font can also be used for body texts.
This font contains the letter ‚long s‘ which can be reached in two ways. Either you use the OpenType feature ‚historical forms‘, or you type the summation sign on your keyboard. There are two graphic elements implemented, a corner element and a pearl for framing. The corner can be set by [alt] + [shift] + 1 for the outline, and [alt] + v for the filling. The pearl, set on a path, is accomplished by [alt] + [shift] + p for the outline, and [alt] + p for the filling.
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