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Neue Rasant fonts from Neue - (onfbp)

Neue Rasant
Neue Rasant Neue RasantNeue Rasant



→ neue Rasant is an interpretation of a typeface used by the Singapore Land Transit Authority for its directional signage. The typeface design is based on a rigid grid with little to no room for optical compensations or any kind of harmonisation whatsoever. This approach can be seen as epitomic to an engineer’s way of designing which offers paradoxically unorthodox solutions in a seemingly orthodox system.

→ neue Rasant is a uniwidth design which means that the individual characters are occupying the same amount of space across all weights and styles. This way of designing a type family turns out handy if one wants to avoid unintentional line breaks or space consumption.

→ neue Rasant comes in five weights ranging from Thin to Bold. For the Italics the designer has the choice between 

a traditional slant to the right or an unconventional slant to the left. All weights and styles are equipped with arrows matching the individual weight’s stroke thickness.

→ For trial and variable fonts reach out to hi@neuefoundry.com





[lbpqauqgho] Download Louisa Fonts Family From Julia Hanft

Download Louisa Fonts Family From Julia Hanft
Download Louisa Fonts Family From Julia Hanft Download Louisa Fonts Family From Julia HanftDownload Louisa Fonts Family From Julia Hanft



Louisa is a monospaced font-family designed and optimized specifically for small font sizes. But even as headline font it looks good. It has a very good distinguishability of letter forms and legibility even in longer text paragraphs. The character of Louisa is a combination of strong elements and warm, friendly forms. The font family is not only designed for coding and tabular layout, but can be used in different fields of communication design. Therefore it provides two stylistic sets with different letter forms: one with the look of serious modern typewriter font, the second with more soft letter forms and elements of a real italic. Additionally it consists oldstyle numbers (and of course tabular numbers) and a set arrows. The font is available in four styles: regular, italic, bold and bold italic.



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ibbupnbyiu Download Dihjauti Fonts Family From I & O Media

Download Dihjauti Fonts Family From I & O Media
Download Dihjauti Fonts Family From I & O Media Download Dihjauti Fonts Family From I & O MediaDownload Dihjauti Fonts Family From I & O Media



Dihjauti /di:.'hjau.ti: | dee.'hyow.tee/, predominantly based off Dwiggin's Electra with shades of Palatino and Perpetua, is modern and stately. Like its inspirers, it has broad counters and spacing, which temper it and give it warmth, making it comfortable and well-suited for longer texts. It is balanced in all aspects, from its punctuation to its reference marks and symbols. Its design takes into consideration all extra characters for languages that few fonts support, such as African and First Nation. These extra characters, such as Edh, Esh, Gamma, Ezh, Yogh, the pharyngeal fricatives, the click consonants, which have added capital versions, the glottal stops, et cetera, actually look like they belong, as opposed to being afterthoughts. The italic incorporates a touch of Arrighi. It includes all transcription systems relevant to the Latin, Cyrillic, and Greek alphabets, as well as standard Coptic, plus extra characters for Teuthonista and First Nation. It also includes, to list a few, Egyptian-styled pictographs (where applicable), APL, a plethora of mathematical symbols and arrows, and a number of alternatives in the PUA. A Fontlog is included for referencing all additional characters.


Notes: 1) The superscript characters, modifier letters, and the numerators, are all part of the superscript table. 2) The bold versions of the font have some alternative/reversed characters; I did this because there is no difference in the math or punctuation symbols, i.e., the bold versions are not actually bold (with exceptions), which gives the font a better harmony. 3) The font uses anchors, which means that it will not align properly for linguistic use, or otherwise, without open type. 4) For those interested, Open or Libre Office can access all glyphs using: Insert > Special Character.



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Download Monesta Fonts Family From Showup! Typefoundry

Download Monesta Fonts Family From Showup! Typefoundry

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Monesta® is a confident smooth serif font family. Designed by Aulia RahmanMonesta® it creates a sense of softness and expressiveness. the concept into usability focused direction, to work as a bold tool and beautiful communicator.


Monesta variable allows design across 9 weights, major Latin based languages, and Cyrillic. Monesta® bringing energy and making it suitable for modern design.



Download Monesta Fonts Family From Showup! Typefoundry
Download Monesta Fonts Family From Showup! Typefoundry



Download Monesta Fonts Family From Showup! Typefoundry


Download Zuume Soft Fonts Family From Adam Ladd

Download Zuume Soft Fonts Family From Adam Ladd
Download Zuume Soft Fonts Family From Adam Ladd Download Zuume Soft Fonts Family From Adam LaddDownload Zuume Soft Fonts Family From Adam Ladd



Zuume Soft is a high-impact, condensed sans serif, display font family with a soft touch. A sister to Zuume, this version features round corners for a little bit of a friendly appearance. Coming in multiple weights and italics, its range in thickness give a sharp, technical feel in the lighter weights, while the bold, blacker weights are meant to be tightly spaced and stacked for a visual punch. 


A distinct characteristic of this all caps typeface is the notched and extended ink traps meant for both function and aesthetic interest. The strong and sturdy design makes it ideal for eye-catching headlines, branding, packaging, magazines, sports, logos, and more.


Also part of each font file are matching pre-designed catchwords that add texture to your typography. Stylistic alternates and arrow glyphs increase the options available as well.


Zuume Soft has many features:


• Catchword glyphs (PUA-encoded)

• Stylistic alternates

• Arrows

• Fractions, numerators, denominators

• Superscript, subscript

• Slashed zero


With about 600 glyphs, this font has extensive multilingual Latin language support (100+ languages) for Western, Central, and South Eastern European.



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Download Avory Latin Fonts Family From Rosetta

Download Avory Latin Fonts Family From Rosetta
Download Avory Latin Fonts Family From Rosetta Download Avory Latin Fonts Family From RosettaDownload Avory Latin Fonts Family From Rosetta



Avory is a gently condensed sans that challenges convention. It finds itself on the expressive end of the spectrum – features like the low optical center and wide horizontal crossbars give it an unmistakable appearance. Tall, with broad shoulders, easily spotted from afar. Designed by Sláva Jevčinová and inspired by the lettering work of Czech designer Jaroslav Benda, a lesser known treasure of mid-century graphic design. From there it developed into a full-fledged typographic power tool. Nine weights, complete with italics, small caps, a wide range of symbols. Typographica’s Typefaces of 2017 Silver from European Design Awards 2018 Modern Cyrillic 2019


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Download Olivia Serif Fonts Family From Stabenfonts

Download Olivia Serif Fonts Family From Stabenfonts
Download Olivia Serif Fonts Family From Stabenfonts Download Olivia Serif Fonts Family From StabenfontsDownload Olivia Serif Fonts Family From Stabenfonts



The rounded Serif with edges. Olivia Serif got curves on the outlines and edges on the inlines. So it can be very legible and space efficient at the same time: the curves keep the distinctions between the letters, the corners keep the influences from broadnibbed pens with a subtle horizontal stress for great legibility. Olivia has personality without being obtrusive. Three weights (light, regular, bold) are equipped with real italics, SmallCaps, different sets of figures, accents for almost every latin script, arrows, symbols. A fourth weight (black) comes without italics or SmallCaps, but all the other features. Olivia: with or without.


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Download Olivia Sans Fonts Family From Stabenfonts

Download Olivia Sans Fonts Family From Stabenfonts
Download Olivia Sans Fonts Family From Stabenfonts Download Olivia Sans Fonts Family From StabenfontsDownload Olivia Sans Fonts Family From Stabenfonts



The rounded Sans with edges. Olivia Sans got curves on the outlines and edges on the inlines. So it can be very legible and space efficient at the same time: the curves keep the distinctions between the letters, the corners keep the influences from broadnibbed pens with a subtle horizontal stress for great legibility. Olivia has personality without being obtrusive. Three weights (light, regular, bold) are equipped with real italics, SmallCaps, different sets of figures, accents for almost every latin script, arrows, symbols. A fourth weight (black) comes without italics or SmallCaps, but all the other features. Olivia: with or without.


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Download Skolar PE Fonts Family From Rosetta

Download Skolar PE Fonts Family From Rosetta
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Primarily intended as a robust, energetic text typeface, Skolar was designed to address the needs of serious typography. The typeface, having seen extensive use across diverse platforms and purposes, continues to maintain its credibility in a variety of contexts while incorporating a subtle personal style. Architecturally, Skolar’s letterforms follow conventional proportions for comfortable reading, while its stylistic details introduce warmth and character. At the same time, features such as its relatively large x-height, robust serifs, and low contrast make Skolar a reliable choice even at small sizes and for the most complex editorial and academic text settings. Skolar’s vast character set caters for 90+ Latin-script languages, polytonic Greek, 44+ Cyrillic languages, various Latin transliterations (Pinyin, Sanskrit), Devanagari (Sanskrit, Hindi, Marathi, Nepali, …), and Gujarati.


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Download Zuume Fonts Family From Adam Ladd

Download Zuume Fonts Family From Adam Ladd
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Zuume is a high-impact, condensed, display font family consisting of a normal and alternate Zuume Cut family in multiple weights and italics. Its range in thickness gives a sharp, technical feel in the lighter weights, while the bold, blacker weights are meant to be tightly spaced and stacked for a visual punch. A distinct characteristic of this all caps typeface is the notched and extended ink traps meant for both function and aesthetic interest. The strong and sturdy design makes it ideal for eye-catching headlines, branding, packaging, magazines, sports, logos, and more. The included alternate Cut family takes the dynamic nature of this design further by adding sliced out elements to flat, horizontal strokes, giving it more movement, aggression, and a sense of speed. Also part of each weight font file are matching pre-designed catchwords that add texture to your typography. Stylistic alternates and arrow glyphs increase the options available. Zuume has many features: • Alternate Cut family • Catchword glyphs (PUA-encoded) • Stylistic alternates • Arrows • Fractions, numerators, denominators • Superscript, subscript • Slashed zero With about 600 glyphs, this font has extensive multilingual Latin language support (100+ languages) for Western, Central, and South Eastern European.


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Download Kaunos Fonts Family From Hurufatfont Type Foundry

Download Kaunos Fonts Family From Hurufatfont Type Foundry
Download Kaunos Fonts Family From Hurufatfont Type Foundry Download Kaunos Fonts Family From Hurufatfont Type FoundryDownload Kaunos Fonts Family From Hurufatfont Type Foundry



Kaunos creates eclectic and moderns structure by combining sansserif, slabserif and calligraphic elements in a single body. Kaunos designed by Mustafa Eren who is well accepted first typeface designer and calligraphy master by Turkey's Leraset catalog. Kaunos may be use for posters, headlines, modern and, experimental designs. It consist of 16 style of 8 weights and, italic versions of that weights. Kaunos includings; - 390+ Glyph - OpenType Features - Stylistic Alternates - Standart Ligatures - Discretionary Ligatures - Contextual Alternates


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Download Quat Fonts Family From Ani Dimitrova

Download Quat Fonts Family From Ani Dimitrova
Download Quat Fonts Family From Ani Dimitrova Download Quat Fonts Family From Ani DimitrovaDownload Quat Fonts Family From Ani Dimitrova



Quat is a sans serif type family designed by Ani Dimitrova. The family comes in 22 weights, ranging from Hairline to Black with extra drawn italics and small caps versions, and each style contains more than 700 glyphs. The Regular and Medium weights are perfect for body text while the extra drawn Italic gives an interesting texture to the text. The lightest weights work well in subtle headlines while the heaviest ones are perfect for posters, short texts, web, branding and screen design. All weights contain ligatures, proportional figures, tabular figures, old style figure, numerals and arrows, matching currency symbols and fraction. The range of styles give a good flexibility to this family.


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Download BF Corpa Gothic Pro Fonts Family From Brass Fonts

Download BF Corpa Gothic Pro Fonts Family From Brass Fonts
Download BF Corpa Gothic Pro Fonts Family From Brass Fonts Download BF Corpa Gothic Pro Fonts Family From Brass FontsDownload BF Corpa Gothic Pro Fonts Family From Brass Fonts



BF Corpa Gothic™ Pro is a kind of “Neue”-Edition of the beloved typeface designed by Guido Schneider. Inspired by hand-drawn geometric fonts from 1920s posters, this sans serif typeface is slightly condensed, and it appears compact and captivates with its expressive shapes and unique details, despite its pronounced Grotesque character. With its rather constructed, technical – but also vivid – appearance, the BF Corpa Gothic™ Pro is not only suitable for headlines and display applications, but is also pleasant to read in short and middle length text. The type family is engineered for exciting, professional but unusual designs. It is equipped with OpenType Features like 4 figure sets (LF, TF, OSF, SC), nice ligatures, many currency symbols, fractions, alternates, special characters, arrows and symbols – and small caps. 9 style sets give you the option to individualize and adjust the typeface to the requirement of your design, without changing the general visual feeling. In this way you can also switch the simply slanted styled Italic into a “real Italic”. Each of the 16 fonts (Upright and Italic) contains more than 940 glyphs and supports up to 220 Latin-based languages.


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