Arabela is a modern and beautiful calligraphy script, ideal for use in elegant designs. This font has a dancing look and adds a lot of femininity to all types of projects.
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Bigtown - A Slab Serif Typeface. Bigtown is a display font that have a strong and bold looks. This font is made by hand lettering so it looks natural and very suitable for vintage and rustic theme. Perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.
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Mathilda Script is a beautiful calligraphy design, including Regular.This font can be used for various purposes such as logos, product packaging, wedding invitations, branding, titles, signs, labels, signatures, book covers, posters, quotes, and more.
Mathilda Script is coded with Unicode PUA, which allows access to all features without special design software. Mac users can use the Letter Book, and Windows users can use Character Maps to view and copy additional characters to paste into your favorite text editor / application.
If you need help or have questions, let me know or send an email "SelotypeStudio@gmail.com" I'm happy to help :) Thank you & Happy Design!
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Modern Serif Typeface for any use.
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Destacy script is a magical script font, carefully created with a touch of elegance. This is a beautiful combination of timeless elegance and authentic calligraphy. It features an incredibly classic style, while still keeping a friendly feel. Destacy script is the perfect font for making original and outstanding designs.
This script has multilingual support and many alternative lowercase characters, as well as many additional swashes options, allowing you to make your design truly unique.
The Destacy script is a beautiful, classic calligraphic font which will add a sweet, elegant, and perfect feel to your design. It’s perfect for logo projects, wedding invitation cards, branding, home designs, product packaging, and every other design that needs an elegant typeface.
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Capsule is a reverse-stress, high-contrast, rounded sans-serif font with two distinct personalities. An all-caps face, there are however variations of some letters in the lowercase slots. The lowercase variants are more playful, with more bulbous elements that riff on phototype faces like Amelia and Data 70, but all can work together and be mixed and matched to your heart's content. Capsule boasts a bunch of esoteric discretionary ligatures to play around with, and stylistic alternates for 4, 7 and £. The language support is extensive enough to set essays in most Latin-based languages, even though that's the last thing you should be doing with this font!
Capsule should be set large. The fit is tight and the kerning is aggressive. It's not what you'd call a workhorse, but Capsule is an All-Caps you'll (see what I did there?!) want to use for impactful headlines, cutting edge logos and post-modern layouts.
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This monospace font is to display braille in an original although in a rather "steganographic" way.
Its glyphs are designed from a flat hexagon which can be read as 3 rows of 2 vertices (i.e. regular braille glyph grid). The initial design is illustrated by glyph 'ç' (no dot) and 'û' (6 dots) as illustrated by poster 5.
HexBraille glyphs are connected to each other, so there are 6 connections for each (2 on left/right and 4 on top/bottom). A text using this font will display a lattice, not the honeycomb but instead it will show various patterns and the whole looks similar to a PCB.
In the interline squares are frequent and diagonally there are unclosed "irregular convex octagons". For esthetical reasons, squares were favored over octagons.
Note 1: It's also possible to frame the text with 2 sets of border glyphs: octagonal (€°£µ§¥~¢) and rectangular (èéêïîàâä), as illustrated by poster 2.
Note 2: For best esthetical result (especially when using frame glyphs) with Microsoft Word, use CTRL+8 to display Pilcrow (¶) and Non Breaking Space glyphs.
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Majorant is a geometric sans serif interpreted from a contemporary point of view. Its wide range of weights makes it a multipurpose family. The extreme weights work as a display typeface, from the mathematical rigour of the UltraThin to the expressive refinement of the Black. Thanks to the several alternates included, the font offers multiple personalities. From sharp and audacious in the default version, to the soft and classic in the stylistic sets. Majorant PDF.
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Carot Display is made for book covers and posters, but will also shine in advertising and visual identity. The whole Carot system is built up from what has long been around; in any case, it was the intention: to evoke the already experienced visual reminiscences of today's spectacled people. We all have a tendency toward sentiment, which, with each new diopter, deepens to melancholy. Only good font can calm us down. I believe in the raw effect of “Carot” typefaces. The superfamily of 64 members offers a modern alternative for all types of design work.
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Words in a blurry world want to be more firmly anchored in the line - this is the task of the Slab-serif, characterized by solid heels. They can be used in extreme sizes – under 6 points – as well as on huge tarpaulins covering trucks, boats and house facades. Carot serves its robust clarity. The eye takes a while to become accustomed to various character simplifications, but then comes a refreshing reading perception, familiar texts get actual sound.
The whole Carot system of 64 members offers a modern alternative for all types of design work.