Katlynne is unpredictable.
Katlynne is erratic.
Katlynne is beautiful.
Katlynne is an alternating contrast, sans serif type family. Arbitrarily separating the characters into ‘rounder’ and ‘straighter’ letterforms to determine what contrast each glyph will take.
Katlynne is inspired by the observations made while watching the inexperienced use of broad tip pens. I found how and when individuals rotated their pen gave a visually intrusive, if not also pleasantly conspicuous effect. Often, the pen would naturally rotate horizontally (vertical contrast) on the rounder letterforms, and vertically (reverse contrast) on the straighter ones. This is more or less the formula Katlynne adopts as the contrast changes throughout the styles.
Katlynne’s severity of contrast varies from ‘Negative Three’ to ‘Positive Three’ in four weights. With a central style ‘Book’ being the sensible, low contrast font in the family.
Within the family there are four weights with 7 contrast styles, with complimenting true italics. Giving a total of 56 fonts!
Katlynne's array of options works for creating stylistic similitude within layouts, where conspicuous title faces are needed with a cohesive text face to compliment. Alone, the ends of the contrast spectrum (Negative and Positive Three) create striking word forms for advertising, packaging and anywhere else a loud voice is needed.
Download Katlynne Font Family From Ryan Williamson
October 05, 2019
alternating contrast
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display
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experimental
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eye catching
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Hebrew
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reverse contrast
Download Sabella Font Family From Arendxstudio
Sabella is luxurious and casual script with distinctive style that is perfect for your branding design, and will also be very beautiful in your wedding invitations and business cards and especially for your brand name logotype.
Sabella has beautiful Uppercase and Lowercase, figures and ligature standards that are very realistic.
Download Gothic Number Sixteen Font Family From Wooden Type Fonts
Download Thunderbold Font Family From Gartype Studio
Thunderbold is inspired by "Fast & Bold character" so,this is a powerful font suitable for poster, banner, flyer, race number, logo, logotype and more.This font have an extrude style to save your time to make extruded fonts just switch to extrude style!.Not just that, Thunderbold have a lot of Alternate too. Be bold like Thunder !
Download Masthina Font Family From Sibelumpagi
October 05, 2019
beautiful cursive
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beautiful font
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beautiful script
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beauty
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beauty products
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bouncing
Masthina is a lovely calligraphy typeface with a modern bouncy style. It comes with a natural flow that looks like a handwritten letter and also we added some swashes and alternates to make the font more elegant.
Masthina is perfect for many different projects such as logos & branding, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events or anything.
Download Roxon Font Family From Fo Da
Roxon is a sans serif typeface of 4 weights from Extra Light to Bold and can be used as both a headline and text face. Roxon is recommended for using in long-form writing and articles, since a serif is far more readable for longer passages of text.
The typeface has a carefully crafted weight range, with ligatures.
Download Contempora Font Family From My Creative Land
Contempora is a modern sophisticated font family that contains one block condensed sans serif with elegant ink traps, and a set of signature scripts in 4 different styles: Regular, 2 Rough styles (for authentic handwritten look and feel) and Bold (ideal for small text).
Both Script and Sans Serif weights benefit from OpenType features. The Script fonts contain a lot of alternates, end-of-word swashes, and ligatures.
Download Lambola Font Family From ARToni
Download Radiata Font Family From Untype
Type designer Sergio Leiva delivers another highly inspired text typeface that honours both, nature and type tradition. Radiata looks strong on its structure yet delicate on its terminals and serifs, and bring a sense of modern rationality to the composition because its proportions and vertical stress at the time thata flourishes organically and full of details on display settings.
The family has 10 weights, ranging from Thin to Heavy (plus matching italics) including 3 weights especially optimised for long text settings. Ideally suited for book text, editorial and publishing, advertising and packaging, logo, branding and creative industries, small text as well as web and screen design.
Radiata provides advanced typographical support with features such as ligatures, small capitals, alternate characters, swashs, case-sensitive forms, fractions, and super- and subscript characters. It also comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. Considering all this Radiata is a must have for every designer or type user looking for a versatile and reliable workhorse.
Download Fushar Arabic Font Family From Mikołaj Grabowski
Fushar Arabic is a bold comic color font family which comes in 5 layer-styles easy to compose in a multicolor manner and 3 OpenType-SVG color styles to make the work faster and easier. Character set covers Latin A-Z all caps, Arabic, Persian and Urdu with 230 ligatures, European, Arabic and Persian / Urdu localized digits, punctuation, currencies and other symbols - the total of 729 glyphs.
The idea came from a custom logotype I made several years ago for a local charity organisation that helps children. The logotype was based on bold letters with light that make the "balloon" effect visible in "Holes" style. Later I expanded the family with "Cuts" and all the derivative fonts that make the whole color family. The purpose was to create a funny, friendly and playful script that would embrace the beauty of the Arabic alphabet.
Solid, Cuts and Holes are classic one-color styles which can be used separately to compose a simple text. With Shadows and Lights they can produce a multicolour design, as shown on the images above. To save the time, there are three already prepared combinations in the new OpenType-SVG color format. The features include required ligatures, discretionary ligatures, proper mark attachment, contextual alternates, case-sensitive forms, ordinals, localised Persian/Urdu numerals, superscript (1, 2, 3) & fractions.
Download TT Interfaces Font Family From TypeType
Useful links:
History of TT Interfaces creation
TT Interfaces PDF Type Specimen
TT Interfaces graphic presentation at Behance
Based on the positive experience in creating typefaces such as TT Norms Pro and TT Commons, we once came up with the ambitious idea of trying to create the perfect typeface to work in modern interfaces on most known mobile and web platforms. We took this project very seriously and, before proceeding with the design itself, we carried out rather extensive research work.
You can learn the detailed history of the typeface creation in the article by the link, and here we will tell you what we got in the end. TT Interfaces consists of 22 styles: 18 styles in the basic family, 4 monospaced fonts. The main visual features of TT Interfaces include the open aperture of the characters, the uniform distribution of white and black, as well as excellent readability. The general neutrality of the font pattern is not without elegance, and all the details of the typeface are made with mathematical precision and love. In addition, TT Interfaces has the most advanced manual TrueType hinting.
The basic TT Interfaces family consists of 18 styles (9 weights and 9 obliques), in each of which there are more than 930+ glyphs. In the typeface, you can find old-style figures, stylistic alternates, mathematical signs, as well as 100 universal icons divided into five thematic groups: basic actions, states, sections of the site, documents and folders, mobile interface. TT Interfaces supports more than 180 languages based on extended Latin and Cyrillic, including Bulgarian localization
TT Interfaces Mono is a complementary family of 4 styles (2 upright and 2 obliques), each of which consists of 740+ glyphs. We intentionally changed the sign composition of the Mono subfamily—we added special characters to the encoding and removed everything that was not needed (for example, ligatures). Although Mono borrowed the basic style-forming aspects of the main family, for example, the openness of the aperture or the degree of rounding of the circles, but due to the monospace, it adds some of his own character. First of all, this difference can be found in the changed design of signs, in noticeable visual compensators, as well as in italics, whose design is made in a more humanist way.
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